Blogging in Boulder

June 29, 2008

Willie Nelson and Wynton Marsalis: The Dream Team

Filed under: Willie Nelson — Linda @ 10:08 pm

 

 
www.WillieandWynton.com

By Bret Saunders
www.DenverPost.com  

Who doesn’t like Willie Nelson? I’m almost suspicious of someone who doesn’t warm up to his everyman voice and off-kilter guitar style.

Those who are familiar only with his reliable country-radio hits don’t know that when he puts his mind to it, he and “Trigger” (his guitar that seems perilously close to crumbling into dust) can play some jazz. However, if you’ve heard his best-selling “Stardust” album, on which he applied a human touch to standards, or the lesser-heard instrumental “Night and Day,” from 1999, you’re familiar with his affection for a range of music that runs from the Django Reinhardt guitar tradition to the songs of Cole Porter.

Fans won’t be surprised by the new collaboration with trumpeter Wynton Marsalis, “Two Men With the Blues” (Blue Note). Paring down the best performances from a couple of nights at New York’s Lincoln Center last year, the disc is relaxed and something Marsalis’ recordings are often not: effortless fun.

It’s essentially Willie’s show. He sings and picks through Great American Songbook material he’s taken on before, like “Georgia on My Mind” and “Stardust,” and explores the possibilities of his own tunes, on “Night Life” and “Rainy Day Blues.” As a jazz vocalist, he’s not seeking perfection or high drama. There’s a plain-spoken eloquence to his delivery, and he often sings slightly behind the beat, indicating a desire to savor these stories. His just-about-in-tune guitar sounds eccentric in the context of a polished group, but that only highlights his individuality as a player.

Marsalis tosses off some searing, beautiful solos throughout, and they’re a testament to his own strengths as a trumpeter who loves his history. He’s at his loosest here, and it says something about his relationship with an audience that his best recordings are in front of a live audience, as this and the Village Vanguard box from 1999 illustrate. Saxophonist Walter Blanding and pianist Dan Nimmer chip in some evocative solos, too. Would it be too much to ask for this group to tour?

Even if they don’t hit the road together (Marsalis is scheduled for a Fort Collins appearance on July 12 and Nelson is at Red Rocks on Aug. 26, so at least we can see them individually this summer), “Two Men With the Blues” is a relaxed celebration of common ground between individuals who, on the surface, might appear to occupy different musical worlds. They don’t: This proves that they’re both beyond any one category.

(The Jazz at Lincoln Center Orchestra with Wynton Marsalis plays at 8 p.m. July 12 at the Fort Collins Lincoln Center. Tickets are $55-$85. Find out more at fctix.com.)

February 12, 2008

Democratic National Conventions

Filed under: Politics — Linda @ 3:15 am

 
1908 Democratic Convention, Denver, Colorado

The First Denver Convention

www.Demconvention.com

In 1908, the Chicago Cubs bested the Detroit Tigers in a rematch to take home the World Series championship, the United States flag bearer refused to dip the flag at the Summer Olympics and the Democratic National Convention came to Denver, Colorado. For the West, the event marked the first Convention by a major party in a western state. In addition, it was the first national political Convention to accredit women, with five women credentialed as delegates or alternate delegates. Held at the Denver Arena Auditorium, the delegates met and on the fourth day nominated the “The Great Commoner” William Jennings Bryan. His populist approach matched the town, the city of Denver was transformed and exactly 100 years later, the Convention would return.

The Convention’s Roots

The first Democratic National Convention, in 1832, led to the nomination of Martin Van Buren to be incumbent President Andrew Jackson’s running mate when he received the two-thirds vote that had been required. This “two-thirds rule,” which often required conventions to cast ballots dozens of times, remained in effect for more than 100 years (minus exceptions in 1835 and 1840). This original three-day event in Baltimore, Maryland began the Democratic Party tradition with a win, as President Jackson easily defeated Henry Clay of Kentucky. No party platform was issued, as that tradition did not start until 1840, when the Convention — once again, in Baltimore — nominated Van Buren for the presidency.

Through the Years

Year   Convention City
1832   Baltimore, MD
1835   Baltimore, MD
1840   Baltimore, MD
1844   Baltimore, MD
1848   Baltimore, MD
1852   Baltimore, MD
1856   Cincinnati, OH
1860   Charleston, SC and Baltimore, MD
1864   Chicago, IL
1868   New York City, NY
1872   Baltimore, MD
1876   Saint Louis, MO
1880   Cincinnati, OH
1884   Chicago, IL
1888   St. Louis, MO
1892   Chicago, IL
1896   Chicago, IL
1900   Kansas City, MO
1904   Saint Louis, MO
1908   Denver, CO
1912   Baltimore, MD
1916   St. Louis, MO
1920   San Francisco, CA
1924   New York City, NY
1928   Houston, TX
1932   Chicago, IL
1936   Philadelphia, PA
1940   Chicago, IL
1944   Chicago, IL
1948   Philadelphia, PA
1952   Chicago, IL
1956   Chicago, IL
1960   Los Angeles, CA
1964   Atlantic City, NJ
1968   Chicago, IL
1972   Miami Beach, FL
1976   New York City, NY
1980   New York City, NY
1984   San Francisco, CA
1988   Atlanta, GA
1992   New York City, NY
1996   Chicago, IL
2000   Los Angeles, CA
2004   Boston, MA
2008   Denver, CO

February 3, 2008

Todd Snider at the Boulder Theater (2/13/08)

Filed under: Boulder Theater — Linda @ 11:02 pm

 

Todd Snider will pay at the Boulder Theater February 13, 2008.

An iconoclastic hero of alt-country, Americana, college radio and modern folk, Todd Snider is enjoying a long overdue and suddenly growing popularity fueled by constant touring; and the success of Snider’s 9th release, “The Devil You Know,” which was honored as #14 on Blender’s Top 2006 and #25 on No Depression’s Top 60, and Rolling Stone calling Snider’s eighth album “the country-folk record of your lit-major dreams: boozy hard-luck narratives complete with rich details and ace jokes…Snider drops scorching bar-band stuff and always keeps it slyly tuneful.

“Snider just finished recording his untitled/latest CD in East Nashville, TN, which will be released in 2008 and features him on lead guitar where his goal was to whip out grooves that Fred Sanford would dance to. The CD features a co-write and duet with Loretta Lynn that is a smokin’ boogie woogie blues number called “Don’t Tempt Me Baby.” Todd’s hero Kris Kristofferson is featured on “Good Fortune” as the voice of God.Snider’s sharp lyrics, blend of blues, folk-rock and country-rock mixed with his stellar story- telling, personality and charisma has won him loyal legions of fans who will travel past state lines to see his remarkable live performances; where seeing is believing that Todd Snider is one of today’s most admired and intriguing singer-songwriters.

January 6, 2008

Tony Furtado, and the Mother Truckers at the Fox

Filed under: Fox Theater — Linda @ 10:09 pm

Tony Furtado comes back to the Fox Theater, next Friday, February 8, 2008.  Always a great show, don’t miss him if you haven’t seen him before.

And bonus!  The Mother Truckers are opening for Tony.  I have been lucky enough to see these guys in Texas, and their show is lively and fun.

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